Brilliant job Nick. I havent tested these much yet, and I ended up not doing standard outside diameters. This page was generated at 05:50 PM. Contax / Zeiss Planar 100mm f2 (A7ii + X-T1) - FujiX-Forum The Contax I is a high-end 35mm rangefinder camera made by Zeiss Ikon to compete with Leica models. DaVinci Resolve Quick Tip What Are Power Bins and Why Are They So Useful? Badass thread, been looking around for a guide like this. You NEVER SEE it wide open, because the blades arent engaged. The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. I plugged in the focal length in white so theyre easy to read in dark sets. The 50 should be among the easiest to get right because the optical path is among the simplest. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. Or get a Duclos/Tokina 11-16. I'm liking my 28:2.8 AE. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. Since the filter threads across the set are wildly different (from 55 to 72mm), standardizing the filter threads to 77mm allows you to own one single set of filters which can quickly switch lenses without the need for tons of step rings. But Zeiss was so precious about these lenses that some of them were only made in Japan and others in Germany. Contax Zeiss Survival Guide. check out the. Each page with eight stickers cost me about $10. You have to keep wiggling them slowly, side by side, until they are in place. From the Contax Survival Guide: 100 3.5 - Like the 85 Sonnar, but slower and possibly even sharper. So far, I had no previous love for Contax and a little bit of prejudice against Zeiss for making lenses too clean. I think its safe to say all these lenses from this era of Zeiss optics have remarkably similar coatings and magic. makes SPECTACULAR permanent mounts for $75 (Duclos uses these, nuff said). Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. Otherwise, you should notice no optical or mechanical difference between the two lines. I took this question to Instagram again and got really good arguments for both sides. I repeated the technique for the rear caps, this time with only the focal length written on them. Wide open these are more likely to deliver a strong image that is consistent up and down the aperture. It also has built-in color filters which I freaked out when I realized how to turn them. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! Its not. The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. As mentioned before, the 50mm F1.7 is no slouch and it sure isn't! Its the one I always took with me and it gave me gorgeous shots. Page of 321. X. X. Its also a big change in size and weight, almost doubling its predecessor. To check if I did it, just follow me on Instagram as I post all my lens experiments there! check out the. The price was pretty good and Im the type of person that can buy something just because the price is good. Thats where my obsession started. This is a sticky topic. So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Contax Zeiss should be on your radar for a couple of reasons. Landmine Media, LLC. KOMODO + Canon FD or Contax Zeiss + Focal Reducer Only thing I can add to those going the Contax Zeiss route, is that it is important to understand that because of the age of this lenses, despite their . 2023 All rights reserved. Distagon, Planar, Sonnar, Tessar, Biogon and Hologon. 28mm comparison: 28/2.8 on the left, 28/2.0 Hollywood on the right. You can see, Ryan de Franco called my bluff recently, and he let me sit in on his informal test looking into how similar Contax in FACT areto Standards and Super Speeds. I prefer the FOV of a 25, but for the budget.the 28mm is amazing. Thoughts? Related Topics . Learn how your comment data is processed. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. In terms of a look, weve shot with both and there is a clear difference to me. I find it charming, its a lot like the Cooke 8-blade star you see in the back of every True Blood Merlots shot, so I dig it. Zeiss AE lens information brochure, "The Finest Optics by Zeiss", Contax I. I plugged in the focal length in white so theyre easy to read in dark sets. Its a gradual process, guys. Im sure that approach had similar benefits with cinema lenses and Hasselblads. Chris Ware Media - Cinematographer, Photographer, Journalist So I kept using an adapter on that one (the best adapter I had). The 85 is ridiculously fast with combo. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens. The main difference being that a normal . I know a bunch of photo magazines back in the 90's and early 2000's did comprehensive tests and reviews of Contax, I wonder if they lifted the numbers from one of those? It's definitely not lens breathing. You can use the code CINE at check out for a nifty discount! My copy has some fungus in it and other copies might be better. The Standards were w/out a doubt the sharpest wide open. Are not only the slowest, but frequently the most classic. Enjoy! This one was only made in Japan and it doesnt exist in AE, just MM. For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. This page was generated at 05:50 PM. I prefer the C/Ys but since I already own 3 FDs (cheap ones: 28 2.8, 50 1.8 and 135 2.8), I'm leaning towards the latter, although still undecided. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. I remember years back when it was Pebble Place, Fred Miranda, a few random flickr pages and foggy lens tech folklore for figuring out this old glass. On my set some were MMJ, others AEG. Page of 320. Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. I would jump on it in a heart-beat. It looked neat, but from my experiences as 2nd Assistant Camera, I was constantly being asked how fast so-and-so lens was, or whats its minimum focus. Sometimes you have to go with what you can get your hands on. Whereas Contax is an F4 at 18mm, and 2.8 at 25mm. That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. My MM 18 f4, 21 2.8, 35 2.8, 50 1.4, 50 1.7, 85 1.4, 135 2.8, 180 2.8, and 300 F4 are all W/OUT the Ninja-star. All times are GMT-8. I get asked lots of questions. I met amazing businesses with folks that really know how to deal with their customers, I did try out mindblowing glass and I was humbled by all the feedback I got when asking questions about what would be my best options in the middle of the process and posting updates of what I was working on. When the MM's flare, they control it much better (you have to force it more), but when they do, and the coating is overwhelmed by a direct source, the coating will break out into more distinct, tight Zeiss purple flare marks. This is my personal opinion. And. Plus, fitting these is never a one-slip move. We've been taking a look at what it offers and what it's like to shoot with. PDF ZEISS Mutar 2x T* Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. Search. That would be asking a lot of these budget lenses. Pm for pics. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. If you dont have a 3d-printer, Im selling all the gears I made for my set on eBay! are considered to be the best removable adapters ($90). After I got the five Contax I went to look for more info and found the Contax Zeiss Survival Guide at REDUser. Im gonna stop saying these lenses are sharp, because at this point its just standard! They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. freelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. The 135mm f/2.8 was a great lens. Ive had great success on ebay, but only from premium buyers. Micro contrast and color reproduction is fantastic as well. The two specialty lenses the 15/3.5 super wide and 60/2.8 macro go on the smaller 904 case. I will leave you with a few beautiful videos that will definitely help you make up your mind! Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4: A review Contax have a bit less contrast, and flare more. Domenic, you are selling your 100 Macro 2.8 right? I paid around $250.00 for my 35-70/3.4 and around $800.00 for my 21/2.8 both in mint condition! Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. There is a bit of breathing when rack-focusing. The Contax I was Zeiss' answer to Leica's offerings in the 35mm market, one . The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. Canon FD's are the predecessors to Canon L glass, and have a superb pedigree. You can unsubscribe at any time via an unsubscribe link included in every newsletter. All of you, thank you. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. Speaking of good prices, many links in this post will take you directly to eBay searches of each specific lens! There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. Its a very charming (or annoying, depending on your POV) design to the aperture blades that looks like a crooked ninja throwing star. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. Bill that is an insane price for the 21, it's been hovering around 2,000 for as long as I can remember. Theyre much cheaper than modern lenses, yet share similar designs and performance. How can i get those lenses from you? Finally completed my set of modified Contax Zeiss lenses. In fact, they MOD better than ZF/ZEs believe it or not. For a little over a year, this was enough. I am thinking of selling the lenses we tested together. And they all have a very wide focus throw compared to other still lenses. This gave me a great set of lenses ready for action, all I missed was a way of getting them to said action. I managed to get a bunch of black C/Y adapters, step up rings, and some lens gears from eBay and decently cobbled together a set. Because Contax is actually one of the most storied names in photography. Contax Zeiss Survival Guide - REDUSER.net It was not a problem as a starter set. This wraps the first step in building a set of lenses: getting the glass. If you dont want to deal with that, hunt for MMs. Distagon, Planar, Sonnar, Tessar, Biogon and Hologon. B&Hs 9 rating is mint and superb, as is EX+ at Adorama. Im gonna stop saying these lenses are sharp, because at this point its just standard! To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. These terms refer to all lenses 45mm and up (to 500mm). Another major advantage to the Contaxs is the sheer SIZE of the lineup. My favorite lens switched to the 85/1.4 after that, though. I personally own the 35mm and the 50mm. Im still weighing if I need it or not. Would I be crazy to say I kinda prefer my 85mm f2.8 to my 85mm f1.4. If you wanna follow this path, theres no way to dodge reading the Survival Guide. Contax Zeiss Survival Guide: Adapted Lens Talk Forum: Digital AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. Are often more traditional designs. The tab and the last stop in green that mark MM lenses. Just the slight gain in speed/compactness? The lenses were made in two generations. However, I wont argue that having a lens that says Made In West Germany is wicked cool. Leica has announced a mono-only version of its M11 60MP manual focus rangefinder. Contax Zeiss Survival Guide. The 35-70 doesn't move when the camera tilts. Also the low-con coating does give you more latitude. I dont want to get into a German war over which is better, Leica R or Contax. Wide open, Contax glass seems as mushy as Supers. Because they focus the right way (ZFs do not, they are Nikon-oriented and focus backwards) and have an aperture ring (ZEs dont have one, as they are EOS-designed and have a digital iris controlled by the camera). Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. AE lenses were made between 1975 and 1984. Heres a very interesting article by Edward T. that summarizes tech papers published on these designs and their differences, pros and cons. (Heres where I beleive the Leica Rs have a clear advantage, their 19mm is a 2.8which is pretty amazing). In Contax, that corresponds to all lenses 35mm and wider (down to 15mm). Contax Zeiss lenses are the gems for sharp yet vintage glass. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. The Canon EOS R10 is compact, mid-level 24MP APS-C mirrorless camera built around Canon's RF mount. I don't want to feed your addiction or be your pusher or cause a break-up in your marriage or relationship but KEH has a "like new" 21/2.8 Distagon for $1,950.00. But it's a lens meant for stills and cheap as hell compared to cine glass. Its a gradual process, guys. Its been there for quite a while and I have checked up on it countless times to help me make decisions. Zeiss AE lens information I found a link to this awesome Zeiss Contax lens brochure, dated October 1975 (12 MB). Focal length marked on the rear caps as well. Does not come with any adapter. If you do have a printer, I made a tutorial on how to make focus gears! Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, the same formula for the 21mm f/2.8 ZF/ZE primes, I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. DPReview TV: Nikon 58mm F0.95 Noct Review! Heavy, but sharp. http://www.pebbleplace.com/Personal/Contax_db.html, QuineCore Question - how to solve your production woes, If this is your first visit, be sure to The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. So this reasoning is pretty bullet proof. All times are GMT-8. The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. The process turned out alright and the gears worked great, but later on I learned some useful tricks. One last note on their generations, MMs were mostly made in Japan, so theyre called MMJs, while AEs were made in Germany and named AEGs. Yupthey go as far 500mm. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. Finally found the old MTF charts for each of the Zeiss Contax lenses. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! The Sony FE 2/28 is brand new and the most expensive one at 450. This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. Introduction to Contax Zeiss + Cine Tune-Up Guide Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. send me payment method & how many days it will take? Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. The Soviets were good enough for my own projects, but I needed something more reliable on this one. I have a mixed set and barely notice the difference. You have a wide range of lenses to pick from and equally different price tags. While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. But Leica Rs are certainly more expensive, so take that into consideration if you are on a budget. In mint condition, comes with lens hood. These are creative tools, use them as such. Total newbie question about connecting Zeiss Contax lenses to BMPCC Its history criss-crosses wars, politics, and conjures up the never-ending battles between Leica and Zeiss. AEs and MMs all color match. I also feel that the ninja-star may funkify the bokeh a bitgive it a touch of painterly magicbut that may just be meand this wild opinion is something I may need to test out a bit more! Collapse. Another trick is to heat them up with a blow dryer or even your house heater. I thought I knew a bit but I just learned so much! Shervin, thank you so much for posting those R3ds. The first one is AE and the second one is MM. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. Happy Memorial day all. Your 50/1.7 is an AE lens, based on it's serial number and lack of green last numbersince made in Japan, it is an AEJ. I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. or Sign Up Log in with Search in titles onlySearch in Lens Tests only Search Advanced Search Forums Groups New Posts Today's Posts Member List Forum Shooting RED These babies were bleeding me dry. I was just ahead of the game, so it wasnt necessary on my case. The Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Time. I didnt think too much about them when designing, they just needed to fit around the ring, and our printer was painfully slow (M3D, Im looking at you). These have less elements (6?). One thing that the push-pull nature of the zooms helps with, is snap-zooms. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. Show. RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude plus Video! There are DOZENS of lenses to choose from, that cover all focal lengths from 15mm to 500mm. Then I sent that to be printed at StickerYou in vinyl stickers. Conveniently for me as I was finishing the set, SIMMOD Lens came into the picture, with very competitive prices, impressive customer service and super high-quality products. Contax / Zeiss 100mm f3.5 Sonnar c/y need info | FujiX-Forum Fluorescent paint to make markings easier to spot in the dark, by Moritz Schierenbeck. You have a wide range of lenses to pick from and equally different price tags. In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. Fairly "affordable" as well. Contax Zeiss Survival Guide In reply to Giovanni_1968 Nov 30, 2021 While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. You can also tell their place of manufacture based on whats written on the lens! All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. Could it be that yours was bumped once in it's lifetime, if it's not the adapter? This is a guide for people that love handling gear and tweaking little things here and there. I got all my standard 80mm fronts from him, as well as slip-on lens caps. Mar 18, 2014 at 04:52 PM Standard lens, cant really make a set without a 35mm in it, right? The 15/3.5 took the cake though. Contax Zeiss Survival Guide - REDUSER.net The f/2.8 never really impressed me, even though its regarded as one of the best budget 28mm out there. 15 3.5, 16 2.8 FISHEYE, 18 f4, 21 2.8, 25 2.8, 28 f2, 28 2.8, 35 1.4, 35 2.8, 45 2.8, 50 1.4, 50 1.7, 55 1.2, 60 2.8 Macro, 85 1.2, 85 1.4, 85 2.8, 100 f2, 100 2.8 Macro, 100 3.5, 135 f2, 135 2.8, 180 2.8, 200 f2, 200 3.5, 200 f4, 300 2.8, 300 f4, 500 5.6, 500 f8, 1000 f8, 28-85 3.3-f4, 35-70 3.3, 35-135 3.3-4.5, 80-200 f4, 100-300 4.5-5.6, 40-80 f4, 70-210 3.3. The Marvelous Mrs. Maisels Cinematography Tips on Filming a Blizzard in June, Useful Tips on Working with LED Walls in Mixed Reality, Creating Full Soundscapes The Huge Impact of Foley and Sound Effects, DJI Inspire 3 Drone Everything You Need to Know, In the Spotlight With FUJIFILM Featuring Anna Andersen and Nilu Amin, In the Spotlight With FUJIFILM Featuring Rachael Porter, In the Spotlight With FUJIFILM Featuring Gina Hackett, In the Spotlight With FUJIFILM Featuring Adriana Bernal Martnez, Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, but I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. The fastest "wide" is the 28 f2. As photography slowly shifted from rangefinder to SLR, Contax was. Back to the story. The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. Are usually 3.5 and F4. I always took the 135 with me and some of my favorite photos come from that time. All Time Today Last Week Last Month. The two specialty lenses the 15/3.5 super wide and 60/2.8 macro go on the smaller 904 case. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Original Contax Zeiss set on the left, Soviet set on the right. It was not a problem as a starter set. AE vs MM? If I know Im not gonna need either the 15 and the 60, I just dont take their case with me. That was probably one of the most stressful experiences of my life with lenses. Really haven't tested it enough, but the color rendering of the 85mm f2.8 really seems to have some special magic. The Super Nettel was based on the Contax I, with the same kind of shutter but a folding body, a fixed lens, and a short-based rangefinder. That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. I started with the 28mm. It's very, very sharp. Otherwise, the transition from AE was meant to be seamless. Generally speaking, these fall into 3 lens types, categorized by how fast and complex they are. One last note on their generations, MMs were mostly made in Japan, so theyre called MMJs, while AEs were made in Germany and named AEGs. Used it today on my 5D to keep things lightweight. Eventually will spring for 135/2.8. Contax Zeiss Survival Guide - REDUSER.net Another trick is to heat them up with a blow dryer or even your house heater. Look for an MM with serials in the 8's. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. Contax Zeiss Survival Guide In reply to Giovanni_1968 9 months ago While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. Contax Zeiss Survival Guide - REDUSER.net
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